My, rather extreme, attempt at creating a super-square sound on the d50. Only single notes played and, as always, no external effects and direct recording without overdubs (stereo 16 bit, 44. 1 khz).
Preset 24 dimensional sawtooth, lead sample of alphatron oscillion, a polyphonic subtractive synthesizer in vst, vst3 and audio unit plugin format for windows and mac.